Words & Music by John
On the docks of Trinidad
you will find her on the road
Dahli Mohammed, walk along with her heavy load,
she don't mind cos she don't know
just what the good life means
so she goes from dawn 'til night
carrying on with her good deeds.
She will remain there, for all her days,
obligations, children to raise
A prisoner of Trinidad, is Dahli Mohammed
Sun come rise in Trinidad
and start another day,
Dahli Mohammed, sings out across the bay
"Who will buy my souvenirs?"
she cries into the crowd,
no-one hears and no-one sees,
yet she remains so proud.
-AND HERE'S WHAT THE PRESS HAD TO SAY-
(Record Preview - Wellington Evening Post-
11th April, 1972)
TIMBERJACK GOES ALONE
can't keep a good man down and John Donoghue is certainly no exception to this. John was a member last year of the Wellington Group Timberjack which made such an impact with their Golden Disc song "Come to the Sabbat."
So much so that he and Ode producer Terence O'Neil Joyce, began writing a heavy symphony based on the work. But before this could be recorded, Timberjack broke up and John was left without a group.
But not to be daunted, John has carried on writing songs and has come up with a great number called "Dahli Mohammed." And, because he no longer had a group, he searched Welington for the best rock musicians
he could find to make the disc with him.
The song retains a lot of the Timberjack "magical" flavour, so Terence, who also produced the record, decided that "Timberjack" Donoghue would
be the name of the artist on the disc.
John plays piano on the song, and there are many well-known musicians playing.
Indian Musician Javar Naran plays the Sitar, while former Fourmyla guitarist Martin Hope is on guitar. The whole of Olibet plays with Tom Swainsen on drums, John O'Connor on guitar and Neil Hannan on bass.
Backing vocals are by Paul Curtis and the Warren Sisters. John arranged the two songs while in the studio at HMV and each musician was given a framework in which to do their best work.
The result is a curious but very pleasing mixture of Eastern and Western Mysticism with the hard rock voice of John bringing it all together.
The number will be released on the Ode Label and Terence thinks that it is the best record he has ever produced.
If John carries on writing songs like this - the flip
side called "Song for Vanda" is also his - he will soon be at the forefront of New Zealand songwriters.
(Review by Graeme Ingram)
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