WRITER: John Donoghue RECORDING ARTIST: Timberjack Donoghue LABEL: Ode Records (ODE 575A)
The third Timberjack Donoghue single "Requiem for County Gaul" was
written, recorded and released in 1974 during the waves of political protest sweeping throughout New Zealand against the testing of nuclear weapons in the South Pacific.
The above photo is one of the 41 nuclear "tests" conducted by France in the South Pacific. This particular one took place at Mururoa Atoll
on 3rd July, 1970 and yielded 914 kilotons of radioactive poison into our planet's atmosphere.
Requiem for County Gaul was the first New
Zealand recording to protest nuclear testing in the Pacific and its official release was timed to coincide with the New Zealand Peace Squadren's arrival at Mururoa Atoll in 1974.
Vocals, Guitars and Mandolins: John Donoghue.
Backing Vocals: The Yandall Sisters.
Fluglehorn: Julian Lee.
Bass Guitar: Kevin Findlater.
Drums. Danny Shaw.
Engineers: Micheal Grafton-Green: Tony Moan.
Producer: Terence O'Neil-Joyce.
Recorded at EMI Studios, Wellington and Stebbing Studios, Auckland.
REQUIEM FOR COUNTY GAUL
Let the Pacific Be
A thrilling memory that will remain with me forever is that of the three Yandall sisters, Mary, Adele and Pauline, gathered around a single microphone at Stebbing Studios, and with three fists raised in the air, passionately belting out
"Let the Pacific be.." at the tops of their voices. The session was charged with magic. Producer Terence O'Neil-Joyce had recruited Kiwi super-musician Julian Lee as Musical Director and Julian's contributions were to
lift "Requiem for County Gaul" into something far more majestic than a simple protest song.
THE RECORDING SESSIONS: The Rhythm tracks for "County Gaul" were laid down at EMI studios Wellington, when Bulldog's Allstar Goodtime Band were
passing through that town on tour. By using Bulldog's gigfit Rhythm Section- Kevin Findlater on Bass and Danny Shaw on Drums, we were able to knock the first session
out in one hour. EMI still only had a four track recorder, so Producer Terence O'Neil-Joyce took the multitrack mastertape to Auckland and laid the tracks into
the eight track recorder at Stebbing Studio in Ponsonby. A week later I travelled up from Hamilton to complete the overdubs and to meet Julian Lee, who Terence
had booked for the session and also Phil Yule, Stebbing's brilliant in-house recording engineer. For my part I brought in Auckland's legendary vocal group, the
Yandall Sisters, with whom I had toured and become friends with. So, thanks to "Requiem for County Gaul," the template was set, and this would be the same team,
along with the Wellington band "Redeye," that would produce the second "Timberjack Donoghue" album.
FOR THE RECORD
"Requiem for County Gaul" the composition, references two musical motifs, Schubert's "Marche Militaire," and Tchaikovsky's "1812 Overture." Your mission is to figure out why..
Hey County Gaul I see your revolution's died, and that your pitchforks have gone out of style. your
new toy is a gas fills the air with poison tacks
Hey County Gaul I'm a witness to you crimes and like your Uncle Sam you will pay for them in time so you chose the race you want to run the nuclear, instead of human
I'd like to sit here and think well of you but I see by your actions what you intend to do you can't take mother nature and spit in her face without being damned I think you're damned.
Hey County Gaul you must be deaf and dumb and blind to
think that god will stand aside for you and your kind you should let the pacific be yours is a crime against humanity.
By strengthening your body you are weakening your mind, don't you realise your children have to pay for your crimes how can
you be so selfish how can you be so sure you're
not damned I think you're damned.
Talented New Zealand Singer/Songwriter John Donoghue prefers to stay in the background most of the time, but when he has something to say, it's always well worth saying. John's next single, "Requiem for County Gaul," soon to be released, has an anti-bomb message with touches of Tchaikovsky's 1812 and Schubert's Marche Militaire.
single, full of mandolins, oddly tuned guitars, flugelhorns and south sea maidens, was recorded at EMI studios in Wellington and Stebbing Studios in Auckland. It was engineered by Tony Moan
and Phil Yule, produced by Terence O'Neil-Joyce. Rumour has it that the blind gentleman with golden ears who was profiled on this very page last week, was also in the studio, acting as Musical
Preview by Louise Warren
BONUS VIDEO: "A NUCLEAR FREE PACIFIC"
The forgotten people's war to stop nuclear weapons being exploded in the Pacific
"Requiem for County Gaul" is available on Spotify etc
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Single, click here Or To return to Discography, click here